
Nocturnal Topography of Disappearance
Medium: Acrylic, pigment, pastel on canvas
Size: 50 × 75 cm
Year: 2023
Description:
“Nocturnal Topography of Disappearance” is a visual investigation into liminal states of perception, where the figure dissolves into the background and the background becomes a living substance. The composition rests on the edge of the visible and the vanishing: deep black layers absorb light, while flashes of emerald and spectral white pierce the darkness like signals from a parallel dimension.
This is not a landscape, nor a conventional abstraction — it is a map of an unlocatable space, where coordinates are lost but pulse remains. The painted surface resembles erasure more than creation. Each mark testifies not to form, but to its deliberate absence.
Through the lens of a darkened Suprematism — one that refuses representation — the artist invites the viewer not to observe the work, but to listen to it, like a whisper in the void. It is a surface of memory, of forgetting, of encrypted silence. It does not narrate — it withholds.
Curatorial Note:
“This is a canvas outside of time. There are no events here — only the tremble of matter trying to endure. In this sense, ‘Nocturnal Topography of Disappearance’ is not a painting, but an interface for contact with the viewer’s inner quiet.”
Size: 50 × 75 cm
Year: 2023
Description:
“Nocturnal Topography of Disappearance” is a visual investigation into liminal states of perception, where the figure dissolves into the background and the background becomes a living substance. The composition rests on the edge of the visible and the vanishing: deep black layers absorb light, while flashes of emerald and spectral white pierce the darkness like signals from a parallel dimension.
This is not a landscape, nor a conventional abstraction — it is a map of an unlocatable space, where coordinates are lost but pulse remains. The painted surface resembles erasure more than creation. Each mark testifies not to form, but to its deliberate absence.
Through the lens of a darkened Suprematism — one that refuses representation — the artist invites the viewer not to observe the work, but to listen to it, like a whisper in the void. It is a surface of memory, of forgetting, of encrypted silence. It does not narrate — it withholds.
Curatorial Note:
“This is a canvas outside of time. There are no events here — only the tremble of matter trying to endure. In this sense, ‘Nocturnal Topography of Disappearance’ is not a painting, but an interface for contact with the viewer’s inner quiet.”